“Hell is other people”, so the saying goes, but writer/director David Cronenberg knows better than anyone that Hell can be our own bodies. Considering how unpredictable and fragile everything associated with our bodies is, it’s a wonder our days aren’t spent staring at our fleshy vessels in a gigantic mirror contemplating how these things don’t just crumble after a few minutes of use. Throughout his captivating career, Cronenberg has found various ways to explore the horrors of our bodies, ditto the various ways human beings transform both physically and psychologically. His newest film, Crimes of the Future, his first directorial effort in nearly a decade, isn’t the best thing he’s ever made, but boy does it feel good to see Cronenberg delving into his favorite themes and style of weirdness again.